Solstenen films screened at “Latent Liminal Improbable Exuberance” : Film night at Rendezvous Jewelbox Theater in Seattle

I’m so giddy to be showing some of my new Solstenen Project films with some of my favorite Seattle-based artsts/filmmakers during an evening presentation at Seattle’s gorgeous Jewelbox Theater!

“Latent Liminal Improbable Exuberance : Film night with,
Gala Bent, Jennifer Zwick, Britta Johnson, Mandy Greer, Scott Kolbo and Vis-a-Vis Society at Rendezvous Jewelbox Theater,  January 9th, 2013,    7-10 pm

Something old, something new, something odd, something blue.
In-process, foundlings, archived, favorites and brand new films by an exuberant collection of artists:

Gala Bent
Jennifer Zwick
Britta Johnson
Mandy Greer
Scott Kolbo and
Vis-a-Vis Society.

Films will begin at 7pm and cycle throughout the evening until 10pm.

Drop in when you can. Delicious treats by the Rendezvous kitchen!  FREE

Film still from "My farm and Yours", Mandy Greer 2013

Film still from “My farm and Yours”, Mandy Greer 2013

2322 2nd Ave., Seattle, Washington 98121

‘Solstenen Project’ residencies were sponsored in part by grants from 4 Culture, Artist Trust and the Seattle Office of Arts and Cultural Affairs.

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Film still from Scott Kolbo

Film still from Scott Kolbo

Film still from "I shall loan you these rags", Mandy Greer 2013

Film still from “I shall loan you these rags”, Mandy Greer 2013

Film still from "Nothing to give", Mandy Greer, 2013

Film still from “Nothing to give”, Mandy Greer, 2013

Film still from "Birch Play", Mandy Greer, 2013

Film still from “Birch Play”, Mandy Greer, 2013

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Join me at some Community Crochet Workshops…

All my bags are packed, I’m ready to go….not on a jet plane, but to a series of my Community Crochet Workshops, working on Hazel’s Glacier for an upcoming presentation of the piece.  Please join us and learn to crochet or teach what you know!  All the deets are below!

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Community Crochet Events: Mandy Greer: ‘Solstenen’ Project

-December 10th, 2:30-5pm:      Beacon Hill Library community room

2821 Beacon Ave. S., Seattle

-December 11th, 1:30-4pm:     High Point Library community room

3411 S.W. Raymond St., Seattle

– Dec. 16th, 12:30-3:30pm:      Favorite Art Projects @Henry Art Gallery

15th Avenue Northeast, Seattle

“Multi-media artist Mandy Greer, has for years involved the public in the making of her large scale sculpture and installation work, through free Community Crochet workshops, teaching anyone who drops in the basics of crochet and incorporating their stitches into a larger artwork.

You are invited to join Mandy in a series Community Crochet events as part of her ‘Solstenen’ Project, where she will be teaching anyone willing to crochet, giving you the opportunity to contribute to the creation of a large scale fiber ‘glacier’ made of hundreds of different white fabrics and yarn and meant to be worn by Greer’s son.  Began on a residency in Iceland, the crocheted and woven glacier now grows larger as it emerges from isolation, accumulating energy from many hands, like a glacier accumulates and transports stones.  The Glacier will be exhibited at NEPO House on Dec. 22nd, 2012.

Children are welcome and encouraged at the events on the 10th and 11th, as Greer’s 8 year old son will also be on hand to teach crocheting to other children.

All materials and tools supplied,  all skill levels welcome.

Mandy Greer’s ‘Solstenen Project’, is a series of residencies over the course of a year exploring themes of weight and physical burden as external symbols of internal self-transformation — identity metamorphosing into the environmental — including 5 weeks in Iceland in the fall of 2012.

‘Solstenen Project’ residencies were sponsored in part by grants from 4 Culture, Artist Trust and the Seattle Office of Arts and Cultural Affairs.”

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Hazel as glacier_promo

Works for the body inspired by Iceland @Favorite Art Projects

Before we left for Iceland, I was invited to participate in this fascinating little project happening at The Henry Art Gallery.  Tova Elise Cubert has started up a non-profit called Favorite Art Projects with a “mission to instigate conversations about art and commerce in unconventional ways.”  This season’s iteration of Favorite is as a pop-up shop at the Henry Art Gallery that opened November 16th and running until February, in homage to Jeffry Mitchell’s show there ‘Like a Valentine’.

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Tova invited a group of artists who, I would say, are all investigating craft, comfort and home in some tangential way, which means they are all investigating the body.  Doesn’t it? Jeffry has always been a guru to me of how to make work that slips and slides between boundaries, pleasure seeking, about the body.  There is no difference in the electricity of an installation of his and a pickle jar or wall screen.  His work is always a teacher for me.

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Jeffry Mitchell Pickle Jar with Silver (swooooooon!)

So I went away on my travels, a little perplexed about how to investigate my current ideas in the context of commerce.  I have never been very good at translating my ideas into a smaller scale….I think because I have tried to make those small things ‘sellable’.  Which I am happy for things to sell, of course,  But putting ‘sellable’ in my mind always seems to put a wrench in things. I rarely sell my work, it rarely seems to apply to commerce, and I rarely seem to even think about that exchange (this can be both really good and very bad or both or neither, I guess…..common reaction from some artists). But then I began to think about specific people, incredibly creative strong weirdo women artists I admire, and imagined them wearing things I made, and it suddenly seemed very easy what to make.  ‘Sellable’ in my mind had somehow been a cue to hold back, yet my imaginary clients demanded no holding back, and I made what they and I both wanted! (check out a few things here)

I also wanted to use the techniques and textures and colors I was using to take with me to Iceland, as well as what filled my eyes and touched my skin while there.  For my bodily experience there was a pull between the essential comfort of the body to stay warm and the sometimes stark land the body existed upon.  I wanted to turn landscape into dense softness and warmth.  I had been using a super dense hand-weaving technique to make superthick blankets that I then sewed into big costumes for Hazel, Paul and I to wear.

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So I continued with the thick weaving and have made thick heavy ‘stone’  and ‘sulfur’ blankets for the shop, made of more than a hundred different hand selected and cut fabrics, reclaimed wool and cashmere sweaters. I have always loved to sleep under a huge stack of blankets, like gravity is thicker in the air.  And these blankets do this! I also did a series of neck pieces of pillows of puffy moss to surround the neck and the bright energy propelled by molten lava to represent the intense energy of the body.

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weaving blankets out of hundreds of handcut and selected fibers, wool and cashmere sweaters

I also feel influenced and  greatly admired the practice of many Icelandic artists to blend and hybridize art and design.  In some way this has always been a source inspiration for me from Jeffry Mitchell’s work, that lack of boundaries between art, craft, handicraft and design.  I made this work to celebrate what I love about his work and give the opportunity for my installations to take place on the small scale of the body.  I hope you’ll stop by the Henry and see all the other beautiful things by artists such as Izzie Klingels, Nicholas Nyland, Joey Veltkamp, Eric Eley and Seth Damm.

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Photo on 10-17-12 at 3.57 PM

pillowy mossy neck piece

I’ll also be hosting a Community Crochet event at the shop at the Henry (15th Avenue Northeast, Seattle) on Sunday December 16th from 12:30-3:30.  (Facebook event here). All skill levels welcome, all materials provided!  And will be delivering another round of wearable pieces and blankets in time for the crochet event!  Come join us!

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Tonight, 11/16/11, Solstenen comes back to TPR for an evening of community crocheting and films from guest artists Saskia Delores and Rodrigo Valenzuela

I have had an industrious fall in my studio…..not making piles of work, but excavating some physical and psychological space to do it….Many many things needed shedding, which seems oddly telling with the project I am working on, all about weight, burden, labor and armor.  But after a summer full of crocheting with people at The Project Room, I wanted to get back into the thick of the project by once again working on ‘Solstenen’ with anyone willing to join me.  And like this summer, I wanted to share the work of artists who are inspiring and mentoring my new body of work.

Please join me tonight from 5-8 at TPR for one night only of community crocheting, tea/treats, and films by Guest Artists Saskia Delores and Rodrigo Valenzuela.

At 5pm, I’ll be on hand with yarn, fabric and crochet hooks to teach anyone willing to learn to crochet, contributing stitches to the Solstenen crocheting heading to Iceland in 2012.

From 6-8pm, then we’ll continue crocheting while watching a presentation of films by Solstenen guest artists performance artist/musician Saskia Delores and filmmaker/photographer Rodrigo Valenzuela.
As with the other Solstenen guest artists, join me in an informal Q and A with these incredible filmmakers, as I pick their brains and find out why they make things.

Saskia and Rodrigo both make subtly provocative work that highlights how the magic in the mundane can be captured and bloom in the medium of film. Their bodies of work both reveal the cinematic psychological tension and expansive capacity of the eyes to reveal a volcano of emotion… how we reveal when we try to hide. And both continue to encourage my fledgling pursuit of using film/movement to explore themes in the Solstenen project. I am thrilled to share their work, learn more about their projects with anyone willing to take a dip into the Solstenen project, while also basking in their encouragement for expanding into new media with my work.

Come see their films on the big wall of The Project Room!

Get Yourself Together

TRAIN TIME

The last events of Solstenen at TPR: last Community Crochet event : today from 3:30-7:30

Community Crochet, August 23

Community Crochet, August 23

My days of working at The Project Room are dwindling…I have SO much information and images to process, so much to be grateful for, and so much to feed me as I continue on with the work of Solstenen project.  Not in the least has been the response of those people who have taken a leap, walked into the space and learned to crochet.  And most of them have returned and returned many times!  Today is the last crochet party of my 7-week residency here, but TPR curator Jess Van Nostrand and I have worked out a plan for me to return once a month beginning in October, on a sporadic basis, so please sign up for my mailing list or twitter or Facebook if you want to be kept up-to-date about those coming crochet events.

So please join me today and tonight at TPR from 3:30-7:30!  And we have a special guest coming, Erin Shafkind’s community project ‘Department of Artistic Licensing’ comes back for an encore from 5pm until 7:30!

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ALSO I NEED YARN:  This is a last minute plea, I know, but at MAN NIGHT Crochet, the men managed to use up all  my yarn…honestly I don’t know how, even with the giant crocheted chains hanging about the space.  If you have any gray yarn you’d like to donate, I would be grateful!

MAN NIGHT crochet...using up the yarn...

MAN NIGHT crochet...using up the yarn...

And lastly, come celebrate the work of Poet Sierra Nelson with an Icelandic pancake feast on Wednesday!

August 31, Wednesday, Guest Artist Event, 6 – 8 pm;  Poet, text-based artist and data-Dadaist’ Sierra Nelson comes in for ‘show and tell’ and conversation about her own journey to Iceland for the SIMS artist residency.  She’ll share her interactive surveys on ‘sending and receiving’ and photography of forgotten intimate spaces of Reykjavic.  And we’ll be making Icelandic pancakes!

Poet Sierra Nelson

Poet Sierra Nelson

Don't Miss the Pancakes....

Don't Miss the Pancakes....

Guest Artist Julia Harrison: mini-residency, artist talk, demo and show-and-tell, 8/29 11-2:30pm, 5-6:30pm

August 29th, Monday, Guest Artist Event, 11 am – 2pm; Mini-residency with Wood Sculptor/Jeweler and sweets enthusiast Julia Harrison, sharing with me some techniques to carve wood shoes!  Then at 5 – 6:30pm;  Julia does a show and tell of works-in-process,  images and conversation…and special treats!

When I began working with the idea of ‘A Stone Woman’ in mind for inspiration…a jumping off point, my mind went to Julia Harrison‘s incredibly detailed life-like carvings of elements of women’s bodies (and an assortment of other recurring forms that seem to have a connecting thread, a Julia-logic of sensuality).  She seems to do the opposite of my heroine in the A.S. Byatt story, rather than flesh turning into natural materials, Julia seemingly reveals flesh below the surfaces of wood…revealing a wood woman.

She is an insightful wit, eager to push her work into unknown territory through research, travel and writing, and share what she knows through teaching.  She also delves into our complex relationship to ingesting beautiful things, and has researched into the history of the Kashigata, a Japanese sugar mold, as well as writing about her own obsession with unusual treats.  Hearing Julia talk about how she strings all of this together (carefully and with great attention and skill…like her carved wood chain) should be fascinating!

Please stop by and visit , or join us for conversation, show-and-tell and treats!

Guest Artist Anne Blackburn speaks and carves tomorrow, 6-9pm

August 27th, Saturday: Guest Artist Event, 6 – 9pm;  Artist and Lo-Fi Arts Festival curator Anne Blackburn Artist Talk and hands-on demo of book-carving for her environmental installations.  Photos and films from her two-year installation of human-made shelf fungus.

Earlier this summer, just a week before I started Solstenen project, I had a small exciting adventure at Smoke Farm with Anne Blackburn.   Smoke Farm has popped up its amazing acreage into my work before;  I’ve walked all over the place, made a film, done photoshoots…but it continues to yield hidden places and surprises.  Anne took me to one; her two year Shelf Fungus Project.  I’d heard about it…seen some pictures floating around, and had missed it at the last Lo-Fi.

Teeth Marks....

Teeth Marks....

I always imagine  Anne so immersed in her work — which also includes curating and organizing and gathering people together — that she doesn’t really do the full onslaught of ‘marketing’ that seems the norm for our age.  And I’m glad…not really knowing all I wanted to know from the computer put me in the position to get Anne to take me on a hike to see her woman-made Shelf Fungus.

After a hike down a path I was familiar with, we took a sharp turn towards the mountain and under some evergreen boughs that opened up into a cathedral-like clearing where you can’t see the sky.  The most striking element were the many very tall old-growth stumps, with the notches carved a century ago by lumbermen, tool marks still very much visible.  Each stump now has a 50 year old ‘new’ tree sprouting out the top, creating this dense canopy, but also very much showing the process that Smoke Farm itself is undergoing; renewal in the form of decay.  Once harnessed and used for human industry, the land, the trees, the water – through human care and the unceasing urge of nature to renew – are changing back (or changing forward) to a wild place….or a place that references the wild place it once was and can never truly be again.  It was easy for me to see a time-lapse in my mind of the clearing of the land, the farm being built, the cows, the effort, the lives made and past.

I could see the trees head to the saw mill and go through a myriad of processes to become any number things to meet  human needs, including books.  Then in this little village of massive stumps, we see Anne’s human-made Shelf Fungus….made of books.  Again, I can see another time-lapse of paper being made, books being bound, and used for half a century — law books about property rights, no less — then discarded when the weight of digesting information in that form became too cumbersome.  They became trash.

Until Anne Blackburn takes them up, carves them like one would if they were wood (because they are…..) and makes them back into the image of something they once were, a flourishing opportunistic organism, an ecosystem.   The tools marks remain, just as they do on the stumps in that old and new forest.  Then she sets them back into the forest, to decay and renew at the same time; in private, the only audience the life that goes on around them, and sometimes with human visitors.  Anne, an enthusiastic scholar of land art, science and the gathering of human effort, asks ‘when is the work done’ ?

On hearing that the Fungus project was nearing an end (if there is one….), and that there were miles of unedited footage of days and nights passing before a little wildlife camera trained on the Fungus installed, and the incredible overlapping of cycles of destruction leading to creation, leading to destruction leading to creation…some by human industry and need and some by the ever-pervasive natural cycle, I really wanted to learn all I could about this work where the edges seem to bleed over, and share it with everyone through my time at The Project Room.

Please join Anne and me, as we look over images, and artifacts, actual pieces removed from the forest (as books always are anyway…) and explore ideas about when anything made ever really ends. Have some treats and join us for conversation I’ll turn into a Solstenen Artist Profile.  We’ll add one more layer to how ‘work’ evolves and lives on….when it inspires.

See even more images in the slideshow below…

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